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People often have questions about the music in the film. He'll often even mention what movies he drew inspiration from in interviews. Also, Quentin Tarantino has always drawn inspiration from some of his favorite films, foreign or Hollywood and he's never tried to hide that fact. Nevertheless, the debate has continued among some film fans. There are similar elements between the two films, but much of what makes Reservoir Dogs a classic-pacing, style, and some famous plot twists-is not present in Lung foo fong wan. Instead, the police officer character bleeds to death.
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The poetic justice and irony of Reservoir Dogs at the end of the movie is also absent from Lung foo fong wan.

Also, the Mexican stand-off in Lung foo fong wan does not end with all the guns going off and all the gunmen hitting the floor. Both films deal with a robbery, and feature a warehouse rendez-vous spot, a climactic Mexican stand-off, and the relationship between a veteran thief and an undercover cop, but Lung foo fong wan deals mostly with events leading to the robbery, while Reservoir Dogs is about the aftermath of an unseen heist gone wrong. The rumor was fueled by Who Do You Think You're Fooling? (1994), a short film by Mike White that spliced together clips of Reservoir Dogs and Lung foo fong wan to reveal their similarities. Now that Joe Cabot - the man he was sent in to get - is dead, Orange's mission is over.įollowing the incredible critical and popular success of Tarantino's movies in the mid-1990's, it was rumored that Reservoir Dogs was actually an uncredited remake of Ringo Lam's Hong Kong actioner Lung foo fung wan (1987) (City On Fire).
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Orange does not reveal the truth until the final moment because it is only then that he is free to do so without forsaking his duty as a police officer. Having witnessed White sacrifice everything for him White kills two very good friends of his to protect Orange, taking a bullet and willing to stay behind and lose out on the diamonds and go to prison rather than leave Orange for dead.Orange feels compelled to do likewise. Tarantino actually described it as something beyond honor, best summed up by the Japanese word 'jingi' that has no English equivalent. White, who has acted as his protector throughout the film, the truth because he feels that he owes it to him as a matter of honor.

White is likely to kill him upon finding out) have not understood the film.
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White that he is an undercover cop (knowing full well that Mr. It’s all jumping off the page at you, but it was also the two of us figuring it out.On the commentary track for the 2002 10th Anniversary Edition DVD of Reservoir Dogs, Quentin Tarantino insists that viewers who don't understand why Mr. He’d wear a robe, but it wouldn’t be like Lance’s (Eric Stoltz) robe, which is a drug addict’s robe: heavier, because you’re cold when you’re on drugs. What does a guy like that have in his closet? A bunch of swim trunks and T-shirts. He doesn’t really leave the house, he’s floating around his house and pool, he’s sleeping all day. Like with Quentin’s character in Pulp Fiction. As for Sam Jackson, I used a very short collar on his shirt and a suit that could never wrinkle, because he was more like a preacher." On using the script as inspiration

I gave him a bolo tie because, well, he’s a cowboy! Daring to take out the boss’ wife? That’s a real cowboy move.

"In John Travolta’s case, I used linen for his suit so that he always looked kind of rumpled and messy. So we repeated the black suits, but with a few differences. "I met with Quentin in another coffee shop – Barney’s Beanery – and I suggested that Jules and Vincent were Reservoir Dogs, and he liked that idea. "If you went to a thrift store you’re not going to find a complete suit, so it’s a case of ‘here’s the jacket, here’s the pants.’ I wanted different silhouettes for different characters – the collar stands, the length of the collar, the width of the tie, the type of shirt fabric, the style of the jacket – and that’s what creates the unique look of Reservoir Dogs." He said, 'Well, she’d done a lot more movies than I had, so I believed her. Quentin now tells this story: I went to him and said, ‘I’m going to use these black jeans on Tim Roth and Steve Buscemi, and I’m going to put them with these really narrow, black, ‘60s-cut jackets, and nobody’s going to know it isn’t a complete suit'. Only one or two of the guys were actually wearing suits. $10,000 is nothing, especially with all the multiples and blood. For comparison, I had $500,000 on Almost Famous and $900,000 on my current film, Godless. Stanley Bielecki Movie Collection Getty Images On making ends meet
